Skip to main content

Unearthed: The Wounded

Arrested sat I in a forbidden chair
By which death portrayed last hour of breath
Swayed did I in an entangled, shocking pulse?
A memoir of the idle times ago plugged me loose
A silhouette of a gorgeous dale, pricked by the moon's ambient light

Paraded in my eradicated, terrified mind
A chimaera flared me with dark, begotten love
And visionary rolls of yesterday winced up

Sweet, melancholic love retreated back to me
A dreadful illusion when trapped in the jungles of tragic infatuation
Mercilessly pushed me to wreck havoc
Love with reason, care with no decision at all
I placed my heart for the benefit of one
But not as expected of what I am to receive
The hunch for nothing to wait evaded my instincts
And that classical fear molested my views,
Of one thing which I call, a depressed facade

Wished did I possess the ability to lose memories?
As for what an amnesiac’s destiny seems to be
And of crying, I commanded myself to charge some cannons and fight with it
Just like embarking into plans for jailbreaks, or an escapade

Anxiously waiting for that retrieval to end
I found myself to stop, and forget
Booby traps embraced me as I set off
From that finale, for one story to thwart

And exploded from nowhere in the depths of my longing heart, as tear blades of anguish scratched my face, stormed by indisputable trouble

As I treated goodbyes to that slashed controversy, of reality towards strayed love
I beseeched my soul, "Must I love again?"
In just a split-second, my eyes pondered away from the past, that sanctuary of remembered lost dreams
And sailed through the sea of beginnings - a fresh start, of a 2nd, 3rd, 4th or nth time


Now is the era not to seek for vengeance
To fool like fools, nor look like one
But to accept the irresistible fact that we are victims - it's not yet time to find the right one
No one knows, she might just be waiting somewhere, some time
At that certain point of healing.

Comments

Popular Posts

Disguise: Itak sa Puso ni Mang Juan

Delotavo’s interesting visual artwork reflects on the negative effects the Coca-Cola Company has brought about to a Third World country, the Philippines. Antipas Delotavo is a social realist who only considers things as they are and whose works reveal much about exploited workers. The painting shows the response of Mang Juan, a typical Filipino worker, to the upsurge of foreign colonialism and the aggressive injection of Western influence. Itak sa Puso ni Mang Juan is a feedback on the negative impacts of globalization or commercialization in the Philippines. As perceived, a dagger-like tail of the letter C in the company’s title is pointed at the heart of Mang Juan. This exposes the struggle of an average Filipino worker, the embodiment of the Filipino public or the masa, against the agonizing monopoly and economic control of international corporations, most of which are offering products and services that entice consumers to live life according to “wants”, and not “needs”. ...

A Coca-Cola Product Review: Coke-aholic Much?

The 1955 Coco-Cola infomercial, “Pearl of the Orient”, showcases Coke both as a valued commodity and as part of the Filipino lifestyle. For decades, Coca-Cola has, and still, continued to reign in the consumers market stunning other companies with their artistic and viewer-friendly commercials. It has also succeeded in introducing Coke to every Filipino family, regarding Coke as a member whose absence would mean a lot of loss. The infomercial also opens the gateway to the Philippines at that time, presenting Filipino people and culture.  Image Courtesy: Coca-Cola The product Coke is represented here as Coca-Cola’s colonial effort to assert its influence in Philippine culture and establish business imperialism within the country. Coke production is viewed here as the force which offers employment to a lot of Filipinos, and its continuous stay and utilization of resources, sand, sugar cane and even cheap labor, tell the viewers of the Philippines’s richness in resourc...

Pearl Buck's The Good Earth

Pearl Sydenstricker Buck became famous throughout the world for her second novel, The Good Earth, which basically tackles about the struggles of a peasant farmer in China, 100 to 200 years ago. The said novel narrates how Wang Lung (the main character) and his family rise from poverty to unimaginable wealth. It has many key morals. However, the most important is that money can’t buy happiness. Wang Lung and his family had a good sense of values. They were down-to-earth kind of people, and loved each other and their land. On the other hand, when a Chinese palace was raided, and Wang Lung stumbles across a large amount of gold, the table starts to turn. It all begins with additions to their room, a three-room house rather. Then he starts buying more land and before long, he owns hundreds of acres of land, has hundreds of servants, and lives in a palace. Soon, the wealth spreads discord among the family members. Wang Lung’s children (now grown-ups) start fighting for money and inheritanc...

Revealing the Two Fridas: Frida Kahlo

Painted in 1939 at the time of her divorce with famous muralist Diego Rivera, The Two Fridas is said to be one of the products of the mixed emotions evoked by Mexican nonconformist artist Frida Kahlo during her 47 years of painful living. Frida Kahlo lived in a society which allowed her to aspire to be a listening wife and ideal mother. She used her weak points, her realizations in life, to gather more strength, stand up from every fall and produce one of the most valuable, feminist paintings I have ever seen. After the Mexican Revolution, Mexico stood up for its highly patriarchal system of society, wherein women were viewed inferior to man. They were forced to take the role of subservience, other than the acceptance of being role models to their sons. Respect was less of a concern to deal with since mothers were only able to earn it from their sons, indicating that there narrow possibility of achieving respect when it comes to single women. Other than that, Catholic domi...