The play centers on an unethical, antiheroic criminal Macheath (Mack the Knife) who marries Polly Peachum, the only daughter of the big boss of the beggars who runs the streets of London. Disappointed of her daughter’s sudden decision, he plans to condemn Macheath of his doings and have him executed publicly by hanging; however, his attempts to entrap and pull down Macheath are hindered by the fact that Tiger Brown, the Chief of Police, is Macheath’s old pal. Still, Peachum asserts his influence and eventually leads Macheath to his arrest and death sentence. Macheath avoids his fate through a deux ex machina (a theatrical device), wherein an unexpected character is inserted to intervene with or resolve the protagonist’s situation. His remarkable end is stopped by the surprising declaration coming from the messenger of the Queen relaying Her Majesty’s message to grant Macheath Royal pardon. Despite all his doings, he escapes the finale usually described by the part wherein the bad guy
The dominance of French toys representing a miniature copy of the adult world is being countered and overtaken by the existence of toys patterned from famed fictional characters generated by the powerful imagination to out-of-this-world ones, literally. We see more of sci-fi/ anime action figures like Clone Wars, Harry Potter, Marvel characters, assembly types Gundam Wing and Zoids, Star Wars, GI Joe, the ideal Barbie, Disney collectibles, and many more. Gundam Wing, written by Katsuyuki Sumizawa This unquestionable presence disprove Barthes’ claims that toys commonly reflect on the occurrences in the adult world, wherein one, through toys, is trained and prepared for adult responsibilities. Thus, toys nowadays signify the exhibition of wide ranges of ideas for toys to be delighted more by children. I believe that toy makers design their craft works in a way to make children enjoy their innocence and have fun in the world, instead of forcing them to absorb the liability of